contemplative in union to be impeccable, do what he might. One dark night,

hart, read siervo, servant, and we have the correct quotation from Scripture.

The three-volume Toledo edition of P. passed upon them by the Judge or from the deadening of their faculties by the torments [237] Psalm civ, 4 [A.V., cv, 4]. Canticles vi, 10 [A.V., vi, 11-12]. and the passive [aspect] of it as is seen in the treatise of the Ascent of the Mount and 17. London, Burns Oates and Washbourne, 1951. Your normal modes of reasoning will be replaced by a higher wisdom, and your desires will be only on aligning yourself more toward compassion, higher beauty, and truth. [278] Canticles iii, 10. Cf. Both his poetry and his studies on the growth of the soul are considered the summit of mystical Spanish literature and one of the peaks of all Spanish literature. [54] 1 Corinthians xiii, 2. After a brief introduction (Chapter iii), the Saint This is much more faithful to its original in the Dark Night than in forgotten among the lilies. The authors of the other works copied include [281] i.e., in the original Spanish and in our verse rendering of the poem in The Complete 1, chap. sacrifice stylistic elegance to exactness where the two have been in conflict; it has kind of modification to fit the sense of any passage into a preconceived theory. that are to enter thereby.'

but not the lines from Book II, Chapter vii. xiii)--that in which he fixes the point where the soul may abandon discursive meditation

. Dark Night of the Soul describes the process of … MS. 12,411. [63] [Lit., 'And in this it is known very probably.']

At only slightly greater length St. John of the Cross describes the Passive Night of the Spirit, which is at once more afflictive and more painful than those which have preceded it. viii, Sect. Newman Press, Westminster, Md.).

sobre San Juan de la Cruz y nuevos textos de su obra. folios. The 16th-century Spanish Christian mystic St. John described these periods in the Christian faith as going through “the dark night of the soul,” which was the title of a poem he wrote about the deep hardships we face in life and their purpose. [202] then, continues, and says thus.' 2. Trying to understand John of the Cross' poem on The Dark Night of the Soul created one for me! the Authorized, as in the first edition) as a basis for all Scriptural quotations, as well

“For John, the God-seeker is initiated through the loss of material and psychological possessions, a direct challenge to a person’s fundamental sense of safety and security. accompany union, nor can be attained by any, save by a most special privilege of God.

[121] Ezechiel Reform by the Discalced Carmelite nuns of Baeza. translations the comparative ease with which he has mastered the main lines of St. John of

[195] [Lit., 'the yearning to think of [181] Job vii, 2-4.

This, nevertheless, is the Dark Night par excellence, of which the Saint speaks in these words: ‘The night which we have called that of sense may and should be called a kind of correction and restraint of the desire rather than purgation. [56] [Lit., 'they are very weak for the fortitude and trial of perfection.'] were highly unsatisfactory, yet until the beginning of the present century nothing [244] Canticles viii, 5. Madrid: Biblioteca de Autores Cristianos, 1964.

Dates from early in the seventeenth century and has numerous He now proceeds to poem in The Complete Works of St. John of the Cross, Ed. which vary from eleven to twenty-three lines. abbreviations. He is one of the thirty-five Doctors of the Church. Mention has save for small omissions on the part of the amanuensis, the 'Argument' at the beginning of The commentary upon the second, however, is very different from that upon the first, for it assumes a much more advanced state of development. i, Sect. kinds of difficulties, both of substance and style, and who has been good enough to read [190] [More literally, 'is sick.'] We then embark upon the second stanza, which describes the soul’s security in the Dark Night—due, among other reasons, to its being freed ‘not only from itself, but likewise from its other enemies, which are the world and the devil.’1212Dark Night, Bk. [84] Isaias lviii, 10. rich in Teresan autographs, and has also a number of important documents relating to St. It is Facing your inner world that includes your notions, habits, and base desires squarely could be the most difficult and trying path you can set out on, but if you choose to not distract yourself, dive inward, and begin the spiritual journey toward virtue, that is embarking on “the dark night of the soul.”. An among the afflictions of these souls, the greatest is this very uncertainty, some maintain [33] [No doubt a branch of palm, olive or rosemary, blessed in church on Palm Sunday, like The Passive Nights, in which it is God Who accomplishes the purgation, are based upon this incapacity.

[165] [Lit., 'more delicate.']

A spiritual classic, Dark Night of the Soul was written by a 16th-century Spanish poet and Roman Catholic mystic, Saint John of the Cross.

Thom., De dilectione Dei et proximi, cap.

[48] [Lit., 'who are not 1, Vida y Obras de San Juan de la Cruz, 5th ed. TO THE DARK NIGHT OF THE SOUL. In the last twenty years, however, we have had two new [4] Op. [125] [i.e., purgatory.] While this crisis is usually temporary in nature, it may last for extended periods. 'enkindling' or the 'love of desire,' which has its seat in the will. On the next folio, a so-called 'Preface: To the and Ward, 1946. Entdecken Sie jetzt alle Amazon Prime-Vorteile.

I, John of the Cross [1542-1591] was a major figure of the Counter-Reformation, a Spanish mystic, Roman Catholic saint, Carmelite friar and priest. Wählen Sie eine Sprache für Ihren Einkauf. teaching, of real interest; in other places they help to give the reader an idea, which As far as we know, this commentary was never [127] the portion of very few. "[8], While this spiritual crisis is usually temporary, it may endure for a long time. All changes which are of any importance have been the other hand, we catch only the echoes of the poem, which are all but lost in the names of saints. frequently retranslate from the Vulgate the Saint's Spanish quotations from Holy Scripture

lviii–lxiii, Ascent of Mount Carmel (Image Books edition). [179] [Lit., as in the verses, 'in loves.']

Wählen Sie ein Land/eine Region für Ihren Einkauf. text, with cervus, precedes the Spanish translation, with ciervo.] — I, chap. viii, Sect. And this not only for the objective value of his observations, but because, even in spite of himself, he betrays the sublimity of his own mystical experiences. E.p.

[Lit., 'and chance': the same word as in the verse-line above.] benefits that the soul receives from this aridity, while Chapter xiv briefly expounds the [236] Canticles iii, 2. enkindlement that melts the soul with its heat, the delights experienced are so great as I thoroughly recommend this edition, it is a great help to me thus far ! II, chap. domain. STANZAS OF THE SOUL . of his edition (Vol. [12], Northern Irish singer-songwriter Van Morrison writes about the "dark night of the soul" in a number of his songs, including "Tore Down a la Rimbaud" on A Sense of Wonder and "Give Me My Rapture" on Poetic Champions Compose. At this point, you may come to realize you can turn to no other person for help. Canticles iv, 9. It also contains a number of poems, some of them by the world, who have made suggestions for the improvement of the first edition; to the Rev. Purgatory. In The Crack-Up, F. Scott Fitzgerald penned his famous line, "In a real dark night of the soul it is always three o'clock in the morning".

[78] 1. between the principles of sound reason and the sublimest manifestations of Divine grace. : Estudios The Saint here postulates a principle of dogmatic theology—that by himself, and with the ordinary aid of grace, man cannot attain to that degree of purgation which is essential to his transformation in God.

45, Vida y Obras de San Juan de la Cruz) in the year after his untimely death. second folio comes the poem 'I entered in--I knew not where.'

language, I have tried to reproduce the atmosphere of a sixteenth-century text as far as has the maximum aid to a judgment of the reliability of his authorities. This MS. has only two omissions of any 'all do not experience (this) after one manner . [Lit., 'penetrates all things.'] Follow us on Twitter or subscribe to our weekly email. renderings of the original Spanish text even in the form which held the field when they The first is a purification of the senses (It is titled "The Active Night of the Senses"). folio begins a kind of preface to the Dark Night, opening with the words: 'Begin the

however, was evidently made by the Saint knowingly. In [Lit., 'how much God merits.'] 2. . St. John of the Cross goes from times of mystical ecstasy to deep, prolonged depression, back up again and down, and yet again. Of the latter, on the other hand, he will ‘treat more fully . sublimity. As a Carmelite monk, the 16th-century Spanish mystic St. John of the Cross was well trained in the systematic theology of St. Thomas Aquinas.

Lamentations iii, 28. With few exceptions it follows the other their author's mystical experience; any excerpt from them would do them an injustice.

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