They succeed in making the wearer look both sexy and intellectual: the ultimate equation of chic. A NOTEBOOK ON CITIES AND CLOTHES climaxes with Yamamoto's spring show, held in the Louvre. Format: DVD. statement that he could spend a hundred hours just doing the armholes of his garments. to know. ", Yamamoto is a model of simplicity by comparison, and surprisingly forthcoming and articulate about his design philosophy. Also Known As: A Notebook on Clothes and Cities See more» In it's own language, the video camera was capturing the city in an appropriate way. Earn 125 points on every ticket you buy. Some of the rather oblique issues which obsess him: "Can we trust the electronic image? In A NOTEBOOK ON CITIES AND CLOTHES, Wim Wenders, whose previous documentaries include CHAMBRE 666 and TOKYO-GA, offers a handsome, clever portrait of … The asymmetry he is famous for stems from the anger he feels anytime he sees anything that is perfectly, symmetrical and balanced. The camaraderie and shared commitment of these dedicated students and creators of that most fleeting of matters--style--is both palpable and touching. Along with his countrymen Issey Miyake and Rei Kawakubo, Yamamoto is one of the few modern designers who can truly be called an artist. One wants to see Yamamoto at work in his atelier, surrounded by five busily pinning assistants, constructing an exquisitely stark black sheath or shirt with all the precision and care which might go into a house, without the fussy, benefit of Wenders' intrusive gadgetry and sardonic viewpoint.
The overhead shots of the outfits being preparatorily assembled sans model reveal the minute care in planning and detail which go into a show that seems over nearly as soon as it's begun, distilling the perfect evanescence of fashion itself. Wenders ends A NOTEBOOK ON CITIES AND CLOTHES in Yamamoto's studio, with the man surrounded by his elated, exhausted crew.
They succeed in making the wearer look both sexy and intellectual: the ultimate equation of chic. A NOTEBOOK ON CITIES AND CLOTHES climaxes with Yamamoto's spring show, held in the Louvre. Format: DVD. statement that he could spend a hundred hours just doing the armholes of his garments. to know. ", Yamamoto is a model of simplicity by comparison, and surprisingly forthcoming and articulate about his design philosophy. Also Known As: A Notebook on Clothes and Cities See more» In it's own language, the video camera was capturing the city in an appropriate way. Earn 125 points on every ticket you buy. Some of the rather oblique issues which obsess him: "Can we trust the electronic image? In A NOTEBOOK ON CITIES AND CLOTHES, Wim Wenders, whose previous documentaries include CHAMBRE 666 and TOKYO-GA, offers a handsome, clever portrait of … The asymmetry he is famous for stems from the anger he feels anytime he sees anything that is perfectly, symmetrical and balanced. The camaraderie and shared commitment of these dedicated students and creators of that most fleeting of matters--style--is both palpable and touching. Along with his countrymen Issey Miyake and Rei Kawakubo, Yamamoto is one of the few modern designers who can truly be called an artist. One wants to see Yamamoto at work in his atelier, surrounded by five busily pinning assistants, constructing an exquisitely stark black sheath or shirt with all the precision and care which might go into a house, without the fussy, benefit of Wenders' intrusive gadgetry and sardonic viewpoint.
The overhead shots of the outfits being preparatorily assembled sans model reveal the minute care in planning and detail which go into a show that seems over nearly as soon as it's begun, distilling the perfect evanescence of fashion itself. Wenders ends A NOTEBOOK ON CITIES AND CLOTHES in Yamamoto's studio, with the man surrounded by his elated, exhausted crew.
They succeed in making the wearer look both sexy and intellectual: the ultimate equation of chic. A NOTEBOOK ON CITIES AND CLOTHES climaxes with Yamamoto's spring show, held in the Louvre. Format: DVD. statement that he could spend a hundred hours just doing the armholes of his garments. to know. ", Yamamoto is a model of simplicity by comparison, and surprisingly forthcoming and articulate about his design philosophy. Also Known As: A Notebook on Clothes and Cities See more» In it's own language, the video camera was capturing the city in an appropriate way. Earn 125 points on every ticket you buy. Some of the rather oblique issues which obsess him: "Can we trust the electronic image? In A NOTEBOOK ON CITIES AND CLOTHES, Wim Wenders, whose previous documentaries include CHAMBRE 666 and TOKYO-GA, offers a handsome, clever portrait of … The asymmetry he is famous for stems from the anger he feels anytime he sees anything that is perfectly, symmetrical and balanced. The camaraderie and shared commitment of these dedicated students and creators of that most fleeting of matters--style--is both palpable and touching. Along with his countrymen Issey Miyake and Rei Kawakubo, Yamamoto is one of the few modern designers who can truly be called an artist. One wants to see Yamamoto at work in his atelier, surrounded by five busily pinning assistants, constructing an exquisitely stark black sheath or shirt with all the precision and care which might go into a house, without the fussy, benefit of Wenders' intrusive gadgetry and sardonic viewpoint.
The overhead shots of the outfits being preparatorily assembled sans model reveal the minute care in planning and detail which go into a show that seems over nearly as soon as it's begun, distilling the perfect evanescence of fashion itself. Wenders ends A NOTEBOOK ON CITIES AND CLOTHES in Yamamoto's studio, with the man surrounded by his elated, exhausted crew.
They succeed in making the wearer look both sexy and intellectual: the ultimate equation of chic. A NOTEBOOK ON CITIES AND CLOTHES climaxes with Yamamoto's spring show, held in the Louvre. Format: DVD. statement that he could spend a hundred hours just doing the armholes of his garments. to know. ", Yamamoto is a model of simplicity by comparison, and surprisingly forthcoming and articulate about his design philosophy. Also Known As: A Notebook on Clothes and Cities See more» In it's own language, the video camera was capturing the city in an appropriate way. Earn 125 points on every ticket you buy. Some of the rather oblique issues which obsess him: "Can we trust the electronic image? In A NOTEBOOK ON CITIES AND CLOTHES, Wim Wenders, whose previous documentaries include CHAMBRE 666 and TOKYO-GA, offers a handsome, clever portrait of … The asymmetry he is famous for stems from the anger he feels anytime he sees anything that is perfectly, symmetrical and balanced. The camaraderie and shared commitment of these dedicated students and creators of that most fleeting of matters--style--is both palpable and touching. Along with his countrymen Issey Miyake and Rei Kawakubo, Yamamoto is one of the few modern designers who can truly be called an artist. One wants to see Yamamoto at work in his atelier, surrounded by five busily pinning assistants, constructing an exquisitely stark black sheath or shirt with all the precision and care which might go into a house, without the fussy, benefit of Wenders' intrusive gadgetry and sardonic viewpoint.
The overhead shots of the outfits being preparatorily assembled sans model reveal the minute care in planning and detail which go into a show that seems over nearly as soon as it's begun, distilling the perfect evanescence of fashion itself. Wenders ends A NOTEBOOK ON CITIES AND CLOTHES in Yamamoto's studio, with the man surrounded by his elated, exhausted crew.
They succeed in making the wearer look both sexy and intellectual: the ultimate equation of chic. A NOTEBOOK ON CITIES AND CLOTHES climaxes with Yamamoto's spring show, held in the Louvre. Format: DVD. statement that he could spend a hundred hours just doing the armholes of his garments. to know. ", Yamamoto is a model of simplicity by comparison, and surprisingly forthcoming and articulate about his design philosophy. Also Known As: A Notebook on Clothes and Cities See more» In it's own language, the video camera was capturing the city in an appropriate way. Earn 125 points on every ticket you buy. Some of the rather oblique issues which obsess him: "Can we trust the electronic image? In A NOTEBOOK ON CITIES AND CLOTHES, Wim Wenders, whose previous documentaries include CHAMBRE 666 and TOKYO-GA, offers a handsome, clever portrait of … The asymmetry he is famous for stems from the anger he feels anytime he sees anything that is perfectly, symmetrical and balanced. The camaraderie and shared commitment of these dedicated students and creators of that most fleeting of matters--style--is both palpable and touching. Along with his countrymen Issey Miyake and Rei Kawakubo, Yamamoto is one of the few modern designers who can truly be called an artist. One wants to see Yamamoto at work in his atelier, surrounded by five busily pinning assistants, constructing an exquisitely stark black sheath or shirt with all the precision and care which might go into a house, without the fussy, benefit of Wenders' intrusive gadgetry and sardonic viewpoint.
The overhead shots of the outfits being preparatorily assembled sans model reveal the minute care in planning and detail which go into a show that seems over nearly as soon as it's begun, distilling the perfect evanescence of fashion itself. Wenders ends A NOTEBOOK ON CITIES AND CLOTHES in Yamamoto's studio, with the man surrounded by his elated, exhausted crew.
Plus, some seasonally appropriate Hallmark movies. There is no need for color."
They succeed in making the wearer look both sexy and intellectual: the ultimate equation of chic. A NOTEBOOK ON CITIES AND CLOTHES climaxes with Yamamoto's spring show, held in the Louvre. Format: DVD. statement that he could spend a hundred hours just doing the armholes of his garments. to know. ", Yamamoto is a model of simplicity by comparison, and surprisingly forthcoming and articulate about his design philosophy. Also Known As: A Notebook on Clothes and Cities See more» In it's own language, the video camera was capturing the city in an appropriate way. Earn 125 points on every ticket you buy. Some of the rather oblique issues which obsess him: "Can we trust the electronic image? In A NOTEBOOK ON CITIES AND CLOTHES, Wim Wenders, whose previous documentaries include CHAMBRE 666 and TOKYO-GA, offers a handsome, clever portrait of … The asymmetry he is famous for stems from the anger he feels anytime he sees anything that is perfectly, symmetrical and balanced. The camaraderie and shared commitment of these dedicated students and creators of that most fleeting of matters--style--is both palpable and touching. Along with his countrymen Issey Miyake and Rei Kawakubo, Yamamoto is one of the few modern designers who can truly be called an artist. One wants to see Yamamoto at work in his atelier, surrounded by five busily pinning assistants, constructing an exquisitely stark black sheath or shirt with all the precision and care which might go into a house, without the fussy, benefit of Wenders' intrusive gadgetry and sardonic viewpoint.
The overhead shots of the outfits being preparatorily assembled sans model reveal the minute care in planning and detail which go into a show that seems over nearly as soon as it's begun, distilling the perfect evanescence of fashion itself. Wenders ends A NOTEBOOK ON CITIES AND CLOTHES in Yamamoto's studio, with the man surrounded by his elated, exhausted crew.
