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She created a mystical interactive dialogue between herself, the nuns, and Christ. [2] During this time, she received some education in reading, writing, music, playing the viola, and had access to illuminated manuscripts in the d'Este Court library.[3]. Saint Catherine of Bologna with 3 donors (oil painting) by Master of the Baroncelli Portraits, ca.
St. Catherine of Bologna was an Italian nun and artist born as Catherine de' Vigri on September 8, 1413 in Bologna, Italy. She wrote a little treatise, The Seven Spiritual Weapons, which explains how to fight the devil by following Christ’s example of obedience. Catherine’s best known text is Seven Spiritual Weapons Necessary for Spiritual Warfare[7] which she appears to have first written in 1438 and then rewritten and augmented between 1450 and 1456. Perhaps, after six hundred years, we can grant that Caterina Vigri also possessed some of that elusive quality. Because she became a saint, Vigri’s manuscripts and personal breviary are preserved as religious relics in Corpus Domini, Bologna.
In another text, Vigri herself explained that the purpose of her art was “to increase devotion in herself and others.”. For the feast of the Stigmatization on October 4 (Image 8), Caterina alters the traditional iconography, omitting the seraphim and rays of light. However, Vigri’s art stretches the boundaries of this notion. 5 out of 5 stars (173) 173 reviews $ 4.50 FREE shipping Favorite Add to St. Catherine of Bologna Holy Card, Patron of Artist PortraitsofSaints.
They found it incorrupt, a sure sign of holiness. You can use this novena to seek intercession from this holy woman in your life! Here, Saint Catherine of Bologna learned the foreign languages, especially Latin, painting, and everything that belongs to the culture of a young woman of high rank. [17], A drawing of a Man of Sorrows or Resurrected Christ found in a miscellany of lauds (Ms. 35 no.4, Archivio Generale Arcivescovile, Bologna) has also been attributed to her. About St. Catherine of Bologna . Saint Francis appears twice, accompanied by ten rubrics and prayers. During her lifetime, St. Catherine of Bologna worked as a teacher. According to Sister Illuminata Bembo, her hagiographic biographer who wrote in 1469, she painted images of the Christ Child on the walls of her convent. From shop GloryBePrints. G. Pomata & G. Zarri, 2005, pp. Her designs suggest a deliberate humility appropriate for a Poor Clare nun. She wrote a number of religious treatises, lauds, sermons, and copied and illustrated her own breviary (see below). "Malpighi and the holy body: medical experts and miraculous evidence in seventeenth-century Italy", This page was last edited on 16 September 2020, at 04:49. Dismiss. Caterina inserted the words “Christus Meus” (My Christ) some 350-375 times! But this is of no consequence for her importance as a role model and patron saint of later painters.
She was a model of piety and experienced miracles and several visions of Christ, the Virgin Mary, Thomas Becket, and St. Joseph, as well as future events, such as the fall of Constantinople in 1453. The Magdalen is entitled “apostle,” emphasizing her closeness to Christ. This proved to be Caterina’s turning point toward religious life. She explained that although it took precious time, the purpose of her religious art was "to increase devotion for herself and others".[18]. St. Catherine of Bologna, the patron saint of artists and against temptation. [15] Other panel paintings and manuscripts attributed to her include the Madonna and Child (nicknamed the Madonna del Pomo) in the Cappella della Santa, a possible portrait or self-portrait (?) Your email address will not be published. In 1426, after Niccolo III's execution of Parisina d'Este for infidelity, Catherine left court and joined a lay community of beguines living a semi-religious life and following the Augustinian rule. Documents suggest she learned to read and write through tutoring by the d’Este court librarian.
We are now in a position to meditate on a veritable monument of theology which, after the Treatise on the Seven Spiritual Weapons, is made up of distinct and autonomous parts: The Twelve Gardens, a mystical work of her youth, Rosarium, a Latin poem on the life of Jesus, and The Sermons, copies of Catherine's words to her religious sisters. St. Catherine of Bologna’s relics can still be viewed today. Mar 28, 2013 - Explore Betzi Lievens's board "Saint Catherine of Bologna", followed by 256 people on Pinterest. CatholicSaints.Info profile of Saint Catherine of Bologna. The ideals of poverty and humility are further expressed in the plaid veil, a textile which, because it was the cheapest kind of cloth at this time, signifies poverty. [13] Besides multiple images of Christ and the infant swaddled Christ Child, she depicted other saints, including Thomas Becket, Jerome, Paul, Anthony of Padua, Mary Magdalene, her name saint Catherine of Alexandria. Saint Catherine of Bologna [Caterina de' Vigri] (8 September 1413 – 9 March 1463) was an Italian Poor Clare nun, writer, teacher, mystic, artist, and saint.. Choose your favorite bologna paintings from millions of available designs. “Ingegno,” meaning genius, creativity and inventiveness, was a highly prized characteristic for fifteenth-century male artists. [5] Sister Caterina lived at Corpus Domini, Ferrara most of her life from 1431 to 1456, serving as Mistress of Novices. Although she lived most of her life in Ferrara, Vigri is known as Catherine of Bologna, after the convent she founded there. :) This picture is of a stained glass window in a chapel in LaCrosse, Wisconsin! It therefore played an important role in the dissemination of late medieval vernacular mysticism in the early modern period. Crivelli depicts light radiating from her head like a beata, but the startling realism of her troubled frowning face show her humanity.
Women’s education at the d’Este court was not advanced, as it was in nearby Mantua. Caterina depicts both Mary Magdalen and Francis in profile portraits with their lips parted as if speaking to the reader. In 1455 the Franciscans and the governors of Bologna requested that she become abbess of a new convent, which was to be established under the name of Corpus Domini in Bologna. Her close reading of the breviary and vernacular texts inspired thoughtful, expressive interpretations of the saints. Arthur, Kathleen G. "Il breviario di Santa Caterina da Bologna e 'l'arte povera' clarissa", I Monasteri femminili come Centri di Cultura fra Rinascimento e Barocco, ed. A contemporary Poor Clare, Sister Illuminata Bembo, wrote her biography in 1469.
A second characteristic of her art is the interpolation of personal comments—laudatory titles for saints, poetic prayers to Christ or the Christ child, and exhortative phrases to the nuns.
177–192. It was first printed in 1475, and went through 21 later editions in the sixteenth and seventeenth centuries, including being translated in Latin, French, Portuguese, English, Spanish, and German. 443r. Arthur, Kathleen G. (2004). All bologna paintings ship within 48 hours and include a 30-day money-back guarantee. Caterina was self-taught, but her art should not be considered primitive or naive. They also confirm the close relationship between the arts of the needle and the pen. She wears the gray habit of the Franciscan Poor Clares and stands with hands folded in devout prayer. In addition, Kathleen has an article forthcoming on a third fifteenth-century convent artist and scribe, Sister Veronica of Verona. Although she probably taught similar ideas, she kept the written version hidden until she neared death, and then handed it to her confessor with instructions to send a copy to the Poor Clares at Ferrara. Corpus Domini, Bologna. St Catherine of Bologna Patron Saint of Artists magnetic paper doll. Her devotion to the infant Christ was expressed in both her writing and drawings. "La leggenda della monaca artista: Caterina Vigri", "Catholic Encyclopedia: St. Catherine of Bologna", Saint Catherine of Bologna Parish, Ringwood, New Jersey, Sanctuary of Corpus Domini, Bologna, Italy, https://en.wikipedia.org/w/index.php?title=Catherine_of_Bologna&oldid=978648808, Italian Roman Catholic religious sisters and nuns, Christian female saints of the Middle Ages, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. One cannot help but read into the painting St Catherine`s "seven weapons" Saint Catherine of Bologna, (8 September 1413 – 9 March 1463) also called Santa Caterina de' Vigri, was an abbess of a convent of Poor Clares, and an artist of repute.
[1] She was raised at Niccolo III's court as a lady-in-waiting to his wife Parisina Malatesta (d. 1425) and became lifelong friends with his natural daughter Margherita d’Este (d. Fortunati, Vera & Claudio Leonardi (eds. She left Ferrara in July 1456 with 12 sisters to start the new community and remained abbess there until her death on 9 March 1463.
The rubric calls her “our mother, humble servant of Christ, and lover of poverty.” Simply drawn, her eyes are downcast, conveying her humility. As mistress of novices, she was responsible for molding new entrants to the community into pious obedient nuns. The initials are single bust-length figures and narrative scenes are lacking. (Image 6). Pomata, Gianna. Saint Catherine of Bologna [Caterina de' Vigri] (8 September 1413 – 9 March 1463)[1] was an Italian Poor Clare nun, writer, teacher, mystic, artist, and saint.
This reminds us of Francis’ belief in the divine beauty of nature and his poetic words in the Canticle of Brother Sun and Sister Moon, “Praised be You my Lord with all Your creatures/ especially Sir Brother Sun/ Who is the day through whom You give us light./ And he is beautiful and radiant with great splendor/ Of You Most High, he bears the likeness.”. The Fioretti (Little Flowers) of Saint Francis relates how he descended Mount La Verna in a trance, blinded by Divine light.
Instead of exotic flowers, she used thistles and Marguerite daisies. She was beatified c.1526, and later canonized. [6] A strong local Bolognese cult of Caterina Vigri developed and she became a Beata in the 1520s but was not canonized until 1712. She entered a house of pinzochere, which evolved into an Observant Poor Clare convent. Haloes and capital letters say “Listen,” or “Love Christ, my sisters.” Using words as decorative ciphers is a very modern concept.
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